The entire life of Jodie Holmes, unfolding like a thriller played by movie actors.

The per-criterion profile draws a clear tension. Rediscovery climbs ahead of three quarters of games, the soundtrack ahead of 70% of them, fun too: everything tied to story and lived emotion pulls upward, even if each line leans on few votes. And then the counterpoint that says it all: the feel of the controller drops ahead of just 17% of titles, attachment barely higher. There's the heart of the game, an experience you dream of reliving, carried by its music, yet the controller gives almost nothing.

In the line of Quantic Dream's interactive stories, that's the studio's very DNA: you watch, you choose, you feel, but you don't play in the twitchy sense. Beyond pushes that choice all the way.

So who's it for? For you if you love a game lived like a film you walk through, carried by its performers and its score. Much less if your pleasure comes from your fingers on the controller, there, the game stays at the very bottom.