A bus, twelve sinners drawn from great literature, and a city in ruins to comb through in the dark.

No preference ranking here, so let's look at the detail. And the profile is split. The urge to take it to a desert island lands ahead of 73% of games, but on a single vote, so handle with care. Attachment and stated fun hold up well, above average, around 63-64%, and there we start to have a bit of substance. Against that, the feel in hand drops right to the floor, ahead of fewer than 10% of titles, and the art style stays low too. The soundtrack, for its part, edges past half the games. The tension is there: a game you grow attached to and find fun, yet whose handling and visuals divide.

Among turn-based strategy RPGs, Limbus Company bets on its dark writing, its universe and its characters more than on comfort of play, and the profile confirms it.

So, who is it for? For you if you love grim narratives, literary bestiaries reimagined, and bonding with a crew over the hours. Much less so if you want instant handling and an art style that grabs you at first glance.