The theme kicks in, Pierce Brosnan straightens his tie, and for a moment you really are inside the movie.

On pure gut feeling, the community puts Everything or Nothing ahead of a little more than a third of all games. Decent, nothing more. But look at the breakdown and one line jumps out: controller feel, ahead of 92% of the field. That is huge. And right below it, art direction, rock bottom, last in line. That is the real tension in this Bond: it plays beautifully and it is unwatchable now. The rest follows the logic of its era: attachment and desert island fairly low, rediscovery near the floor, a soundtrack that barely registers. Several of those lines rest on very few votes, so treat them as early signals, but the story they tell holds together.

This is the peak of the third person Bond games, a 2004 action title mixing shooting, gadgets and driving when the competition was still building corridors. The trouble is that time went after its textures, not its feel.

So, who is it for? For you if you love sharp old school action, scripted stunts and raw play pleasure, even if you have to squint at the visuals. Much less so if you want a game that marks you with its look or sticks in your head for years.