An ancient evil returns to gnaw at Baldur's Gate, and you along with it, for dozens of hours.

When the community picks on gut feeling, Baldur's Gate III sits ahead of 85% of games. Solid. But the detail is where the portrait gains depth. The art style peaks, ahead of 99% of titles, and the longing to discover it fresh climbs just as high, ahead of 97%. It is the game you would carry to a desert island, again right at the top. Then a crack appears: the controller feel stays low, ahead of only a fifth of games, though that rests on few votes, to be confirmed. Connection and fun land in the middle. The tension is real: a world you dream of roaming again, a less immediate grip.

Against other RPGs, it is the scale that strikes, the turn-based tactics, the freedom of choice. Less raw action, more staging and consequence.

So, for whom? For you if you love losing yourself in a world, shaping your story, watching your choices weigh. Much less if you want the immediate thrill of the controller and twitchy action.